Tuesday, October 04, 2005

DRIVE Part 4

"As long as I've known you, your being human has seemed more like a struggle you couldn't or didn't want to win." - Merlyn

Several times in my life I've asked myself: "What have I done and how do I get out of this shit now?" As I stared at the man in my father's doorway, all thought was blocked from me and those questions were consuming. My second male encounter was another black man, but the total opposite of my first. This one was tall, very tall, muscles, dark black skin wearing a wife-beater with navy jogging shorts, carrying a gym bag and was very direct. He didn't speak before entering my father's home, he just walked past me and stopped at the end of the hall once he realized he had no idea where my bedroom was.

"Where you want to do this?" He said in a deep voice I thought reserved for blues singers and Satan.

I didn't even speak, I just lead him to my bedroom, constantly looking at his bag and wondering what could he have possibly brought with him. A depraved imagination can work against you in those situations and when we reached my room I had already begun accepting my impending and seemingly inevitable rape.

He sat on the front edge of my bed, directly in front of my television and video cassette recorder. I stayed in my doorway, watching his hands unzip the gym bag. In the seconds between wonder and certainty, I pictured myself being shoved face first into my own pillow, fighting for air, imagining what the pain of natural order reversed on itself would feel like. And, I liked the idea. How tragic it would be if I were raped, and how could I use that to my advantage?

I've always looked for something, anything, about myself that was special. And these things, some imaginary, were never pretty or clean. I find the most traumatic things imaginable to separate myself from the normals out there and make myself a "somebody." Whether it was telling people my girlfriend committed suicide or that I was part of some suicidal devil cult. Special is synonymous with darkness, evil, and pain for me. Being a rape victim had its appeal.

I was a little disappointed to see him pull out an unmarked video cassette. He felt free enough in another man's house to take out whatever I was watching from the VCR and inject his tape. It was gay porn. He took off his shorts, laid back on my bed, and began masturbating; leaving me to wonder why I was there.

After about five minutes, he asked me to sit down beside him and I questioned exactly where I was. Last I knew, I was home, but now I wasn't so sure. My bed, my room, but everything became his in minutes, and I said nothing when I sat down beside him and began my duties without being asked. When I was done, he got up, put on his shorts, grabbed his tape and walked to my door. Before he exited completely, I remembered to ask a very important question: "Are you HIV negative?" The answer came back quiet and muffled; it always did. Whenever I asked that question, I'd need the reply repeated two or three times before my brain could accept the answer; as if the words were flying by me at a hundred miles and hour and I was trying to snatch them before they got away.

"I'm negative." He didn't even break stride. He hopped the threshold and walked until he was out of sight. I closed the door and stood there for minutes, repeating his answer in my mind, as if I needed to convince myself. I've never understood how I could take solace in asking that question knowing the person could be a liar. But, simply asking them their status made my paranoia much easier to handle afterwards. That, with the questions:

"Did he look sick?"
"Did he look like a drug addict?"
"Did he feel like a liar?"

Made my fear of the viral unknown easier to forget. I'd also discovered something about myself; something quite unexpected. The second man was hung, very hung, and I found that... inciting. I remember being fascinated by it. I even lost control of myself and at one point tried to eat it, literally. The size and toughness allowed me more latitude, I could bite it, pull on it, smother myself in the testicles like they were large breasts. I was so lost that I let go, same as in the club; drunk with a face covered in saliva and a python in my mouth. I didn't know how I felt afterwards. Nothing had prepared me for this; I didn't expect myself to like it, not sexually. But I couldn't hide from the truth that this man's large cock aroused me. And then, that word, it became addictive and took on a whole new meaning. I said it to myself, I repeated it. What was I becoming? I felt like I was transitioning into something and I wasn't sure if I liked it.

Was I straight anymore? How could I be if I enjoyed myself? What am I? Worse, there was no one I could turn to. Years, almost ten, would pass before I'd speak of any of this to anyone. Nothing was the same after that day, and it hasn't been since. Everything changed. Songs like Ice Cube's "Check Yo Self" ("Cause big dicks up yo ass is bad for yo health") caused me pain. Talking about "fags" with a group of guys become stressful. I was always afraid that someone would find out who I was. I was the monster I'd always wanted to be, transforming into this thing I once thought was as mythic as centaurs and unicorns.

I always believed if I were to fall, go all the way. So, my next experience would go to the next level. Again, like a crack addict, I sought my next fix and stole from someone to do it. Jon-Jon had galloped back in the picture for a one night event and I took the opportunity to grab his Frontiers. A late Friday night, my dad was asleep at the other end of the house. I called a number, a voice answered, and forty-five minutes later a man was at my front door. He was white, old - had to be in his fifties - and nice. Real nice. I opened the door to see a silver-haired man with a big grin. I'd explained the risks involved. My dad slept straight through from 10p to 3a, he'd go to the bathroom, and then he was out again until morning. That gave us two hours to do what we wanted before entering the danger zone. This was a first for me, not just because he was extremely white and extremely old, but he didn't want oral sex at all. His pleasure was anal sex, direct, no foreplay, teasing, or
lube.

This was not what I expected or wanted. First, this was ugly. I know how that reads, but it's the only way to describe it. Second, he was the submissive, forcing me into an aggressive role. He wanted me to talk. He wanted me to mount him and be forceful. I couldn't do that. I wondered why myself. Aren't I a man? Can't I be forceful? I had - or have - all this anger welling up inside me and here, with an opportunity to let it out and I couldn't. It all became so sad and desperate. And then, he bent over. And there, on the rim of his anus, I saw it. A chip-o-shit, light brown like a sliver of peanut butter dangling on the edge of the jar.

That did it. I was gone, but not that far gone, and no matter how "pleasing" I try to be, there was no way I was going through with this. I stopped everything. Told him this wasn't going to work and asked him to leave. If this guy was anything, but white, I wonder how it would have ended. But, he left without incident.

Soon after I bought my first car from a guy named James. It was an 85 Toyota Celica. A real piece of crap he unloaded for $700. I paid $200 and worked at my dad's restaurant for the remaining five. Having transportation took things up a notch. Now, I was mobile. People didn't have to come to me, I could go to them, and I did.
My first road trip was to Long Beach. I'd connected with a cross dresser via 976-WOLF and went to meet him on a Friday night at 2am. He lived in an apartment complex and the first thing I noticed were the black people. Why would someone like that live around some of the most unaccepting and violent people imaginable? That was my thought at the time. Remember, I'd been victimized by my "brothers and sisters". I hated them and I hated myself because I looked like them. I blamed my color for my inability to get a girlfriend. Everyone loved the white boys, they were everywhere; the elite.

The whole thing felt like I was being filmed in some sequel to Silence of the Lambs. It was dark, the neighborhood was a ghetto and this "guy" lived in a dark and draped apartment playing old rhythm & blues. As he walked around me, disappearing into the kitchen, I prepped myself for an attack. He offered me something to drink and I feared it was spiked, but drank it anyway. I tempted fate to being my demise with every choice I made. After all I'd been through by then, no matter how minuscule in retrospect, I felt immortalized against my will.

That night ended quickly, as soon as I knew nothing sexual would happen, I left. But that opened another door for me. I was still attracted to women, but there was this new "thing" I was also drawn to. And, crossdressers weren't what I wanted. I decided to try and make a compromise between the two. I had wheels, and a little money, now that I was working regularly with my father. It was time to do what I'd always wanted, finally. The night began with a drive down the Sunset strip, checking out the hookers as I drove by. Wondering if I had the balls to try and pick one up. But, with my Charlie Brown luck, I knew I'd grab a cop. I stopped at a corner, grabbed an LA Express and flipped through the ads while sitting in my abruptly parked car.

I had a pocket full of change; five dollars in my wallet and my tank; tonight was the night I would call one of these numbers and do something. But I knew I couldn't do it on just five dollars. Too bad; my dad was being stingy with the rest of my week's pay. It was fair, considering what he and I considered work were two different things. I was out to do something exceptional? Could I get one of these girls to take me on for free? Could I get the to be romantically interested in me? I was scraping the barrel. Prowling on those who were in despair just as I was. My efforts had been wasted on the healthy girls, the strong girls, the ones everyone wanted. It was time to lower may standards; find the girls just as pathetic as I was. And, who could be more pathetic than a social abomination.

I found the ad, it had a feeling about it. I called. She answered. I delivered a phony story I'd practiced ten minutes before. It began with honesty, admitting to not having any cash, then fell from there into an aberration. It worked, she wanted me to come over. I was shaking violently as I left the payphone and started my heep.
She lived off Wilshire, in a tenement; a re-worked hotel with the old school fire escapes that always made me feel like LA was at one time trying to emulated New York before it found it's own vibe. Finding parking wasn't easy and I was afraid my car would get stolen. James had shown me how to disconnect the starter plug and that was my "club". Of course, with constant use, the connection weakened. Now, starting my car was an embarrassing crap shoot, not made better by parking on a dark street under a tree where I forced myself to turn my back as I dug under my hood. I followed the directions I'd written on my palm, but she didn’t tell me it was a secured building. Still, it wasn’t hard to find her. I was about to read the directory for the apartment number when my eyes caught a white tape among black labels with the word “WHORE” written on it. Had she done this? Her neighbors? How many men does it take, walking through the halls at three in the morning, all to the same apartment, before people get the idea?

I found her apartment; knocked; the door opened like in a haunted mansion as she hid behind it, looking at me through a mop of long permed hair and speaking what I leaned was a Brazilian accent. She was tall, buff; just like my last "lover", but she wore panties, gartered stockings and didn't have a bra. Her long hair fell over two huge man-made breasts on either side of her chest. The shortage of skin left no
imagination to the shape of the silicon so they couldn't pretend to be anything but what they were. Two chemical bags attached to a man's chest.

She asked me to sit. I did. She sat next to me and we stared in uncomfortable silence. She asked me if I liked shemales. I never learned why, but they all asked me that same question. It was always their first. The answer was obvious, and I picked up where we left off on the phone. I was a lonely guy who liked shemales. I loved them. They were "the last bastion of true femininity left in a world where men are becoming more like women." She smiled. She was interested. And, then she told me she'd been to prison for murder. Sorry, I mean “manslaughter.”

"I hurt myself today... To see if I could feel." - Trent Reznor

TO BE CONTINUED

Monday, October 03, 2005

INTERMISSION

After a week of delving into my deep dark closet, I need time to get myself together as I craft DRIVE part 4. So, here's an installment of Thought bytes to tide you over.

THOUGHT BYTES FOR 2005

Fantasy Fetish

I had to write about this; last week, while surfing the net, I stopped by sundevildvd.com to see if they had any new anime. Sundevil is a cool place to get your Japanese anime for people who are true fans of the genre and don't want to pay the inflated prices of the American market. Their dvd's are imports, straight from Japan, with American subtitles and are damn good. And the prices are great. $11.50 for a movie and $30 for an entire OAV series. I know what you're thinking, because I thought the same thing, but they're legit. The production value is too high for black-market and the quality is too clean.

So, I'm shooting over and what do I see when the home page downloads? They have Final Fantasy VII: Advent Children. SquareEnix's second full CGI movie sequels their first game on the Playstation ten years ago. I remember buying Final Fantasy VII for my wife as a Christmas present. She wasn't a video game geek, and I'd gotten out of it after Nintendo lost its thrill. But, when we saw the commercials for FF, we were both blown away by the graphics. Video games had come a long way since the first Legend of Zelda or Street Fighter on the Super Nintendo. She wanted it so badly that I got it for her. Our first system together, our first video game, and what a pain in the ass it was. She played it all the time... ALL the time. We had so many fights;
it would have been funny to see the divorce papers stating a video game as the reason for the split. While I loved looking at the game, I couldn't play it. It was too slow for me. Nothing like the third-person action games I became hooked on. But it was gorgeous. I still sit around as JM plays, just looking at graphics.

We both loved Final Fantasy: The Spirits Within, but we understood why it failed. While it had a tight story and incredible CGI, it was too slow for American audiences. Asking American audiences to watch a computer-generated character for over an hour and emotionally invest in them is not an easy task. While true fans of the franchise were disappointed because there was no direct link to the games, the truly obsessed geeks, like my wife, understood the connection and loved it. I loved it just for the story, art, and tech. Americans can be so picky, like with their music, they can be so obsessed with what they like, they close themselves off to anything new. But, there are a few like myself who love a medium so much; they're open to anything. I love movies. I love stories. I love computer tech and video
games. So, I liked it.

When we saw SquareEnix was moving forward with another movie, and we saw the previews, we were blown away and have looked for it ever since. Advent Children is what Spirits Within should have been for an American release. It's breathtaking, epic, kinetic, and just plain jaw dropping. If this is the future of animation, get rid of the talking and dancing animals and make way for some incredible shit!

Now, I won't dare and try to explain the whole story because I barely have a grasp myself. It's a sequel to the game, so you have to have played it, but there is a cool beginning that clue you into the story, so you're not missing everything. But, like comic crossovers, you're better off knowing the entire story. Luckily, I have a #1 source that filled me in on what the whole deal was. It all begins in the game, Final Fantasy VII, where a corporation was draining the earth's energy for power (here's one of those "oh, so subtle" links Sprits Within had to the games that few picked up on). The corporation, called Shin-Ra, had used alien tech to create their own soldiers to protect their interests. This tech came from an alien dubbed Jehovah who landed on earth (another subtle link to Spirits Within) and it's believed it's mission was to destroy the planet, but something went wrong and it crashed. Shin-Ra used cells from Jehovah to enhance humans and genetically engineer beings they called "Soldiers". The hero and villain are two of these soldiers.

The villain, Sephra, genetically engineered using Jehovah's cells, claimed to hear the voice of Jehovah calling him to destroy the planet. The hero, Cloud, a Jehovah enhanced human, was unaffected until Sephra, his mentor, destroyed his village, putting Cloud on the path to destroying the villain. And, as these things go, along the way he meets a bunch of people, members of a resistance group against Shin-ra, who join his quest. At the end, Cloud's ladylove, a healer, sacrifices herself (And that's three, people - How could people NOT see the connection between the game and movie?) to save the earth and Cloud destroys Sephra in a blaze of glory.

Advent Children picks up two years later, Shin-ra is destroyed and Cloud still mourns the death of his woman. A disease infects children, including Cloud, and three next generation soldiers are now looking for the remains of Jehovah, who they call "Mother". Somehow the infected children play a part in their plans. The reason the story is still sketchy to me; despite seeing the movie FIVE TIMES is because the visuals are so strong, you can't look away to read the subtitles. SquareEnix are the masters of making realistic CGI characters that move, breathe, and feel more human than the clones we see walking the streets everyday. The designs are phenomenal on every level from tech to clothing. The fight choreography looks like Woo Ping did it.
It's as kinetic and graceful as Crouching Tiger, Hidden Dragon, with the collateral damage of Dragon Ball Z.

At its core, it's an Epilogue and a bridge between Fantasies 7 and 8. What that means, in relation to Japanese anime, is it's an "encore" a final bow for the fans. It's nothing new; they've been doing this since the 80's. With Macross, they did Flashback, a music video retrospective of the movie and series that ended with twenty
minutes of new footage showing what happens to Minmei, Rick, and Lisa after the series, taking off on the new ship Victory Road. In Mospeda (that's Robotech Gen. 3 for those not in the know), it was Love, Live, Alive, and another collection of music videos that end with Lancer reunited with his friends for one night before leaving them again. Advent Children is no different and follows the same formula. By the end, every character has been re-visited and Cloud is reunited with his companions, alive and dead. I've always liked that about Japanese anime, they really give a damn about the fans. Sure, it's about money, but it's not ALL about money. They love their fans and they treat them right. Sometimes, Japanese studios will even take an OAV and do a special presentation, a 0 episode, on television for the
fans. Here, the pushers couldn't give a damn about us. They just milk us for everything we're worth. Oh, sure, I'm sure Japan does the same. But they kiss us while they fuck us. American comics and animation just rapes us dry, and they won't even wear a fucking condemn.

But, back to Advent Children...

I won't say this movie is better than Batman Begins, but damn close to it. Buy this movie at all costs; it's well worth the money. The whole thing has a great feel to it, especially the emotional element within and outside the story. That feeling of gratitude and love for the material; a final bow to the fans who love this one particular game and its characters. It makes me wish I did play the game. Better still, that I was in Japan fore the release, surrounded by friends and strangers who loved Final Fantasy VII as much as I do. But I don't, I just love this amazing
movie.

Lessons in Life and Death

Another purchase I made from Sundevil was the Japanese cult classic, Battle Royal. Based on the novel later turned into a manga, Battle Royal is about a Japan where the adults become fed up with juvenile delinquency. They pass the B&R Act, also known as Battle Royal. Every year, a class is selected in a National lottery to participate in an all or nothing fatal contest. The students are kidnapped and taken to a deserted island where they fight and kill one another until only one remains. They have three days; if there's no winner they all die via remote collars that explode when activated by the military.

This was a thrill to watch, and I'm not just writing that because I'm one sick puppy. I've wanted to see this since the manga hit the states. I haven't read the manga, but the fandom got me curious and I can see why it's so popular. It's Running Man meets Lord of the Flies, but it works. They take all the school crap: the insecure fat boy, the sexpot school slut, the nerd boys and loners in-between and give them weapons and three days to kill each other or die. Oh, and that was one of the cool catches, the weapons were randomly picked and distributed. And the term weapon is a general one. It could be a gun or a trashcan lid. One student's "weapon" was a GPS handheld, allowing him to track any student on the island. That was an
entirely new level of intensity, students killing each other for bigger and better weapons.

Some of the coolest scenes dealt with factions of the student class set against one another. The fat boy who you knew was an outsider was the first to start killing with his crossbow. Then, you had those who took to it all too quickly, like the sexpot who used her ways to get close and slice open another girl's neck. But, the point of everything hits home when one boy spends over half the movie looking for one girl, only for her to shoot him dead. With his last breath, he tells her how he's loved her from afar and wanted to save her. Leaving the girl crying over his dead body, screaming how he never talked to her, how was she to know he loved her, and what was she to do now, knowing how he felt and left alone in what was her last
twenty-four hours of life.

The movie is full of dark comedic moments, the best being a training video that plays like a Japanese game show tutorial. And, if none of that sells it, then maybe this will: Takeshi "Beat" Kitano as the Director who picks the class for this year's game. He was a riot and responsible for most of the dark comedy in the film. There's even a body count after every killing scene, so you never have to wonder how many are
left of the forty students who started.

This is a must see if you can find it. They made a sequel, but I'd hate to see it because it could crap all over the first one.

Best.

JPG.